Tone presents Poppy Ackroyd
Approx running times:
Poppy Ackroyd 8pm – 9.15pm
“Wonderful” – The New York Times
“Poppy Ackroyd can conjure whole worlds of sound out of the barest essentials” – Stereogum
“On par with neo-classical giants Nils Frahm, Max Richter and Hauschka” – MOJO
Acclaimed composer and pianist Poppy Ackroyd returns with ‘Liminal’, her intimate new album released June 12th via One Little Independent Records. Written and recorded during a period of profound upheaval and transition, it marks a return to the core of Ackroyd’s practice, bringing piano and violin back together.
For the first time since 2019’s ‘Feathers’, Ackroyd reunites these two instruments exclusively, with every sound on the album drawn from piano and violin alone. Melody, harmony, rhythm and texture are all extracted from the physical bodies of the instruments themselves, from bowed and plucked strings to percussive elements. Working within these limitations remains central to her creative process.
‘Liminal’ was written unusually quickly for Ackroyd, composed over a three-month period in which the core structures and musical ideas were laid out. Recording took place shortly after, once she had moved into a new studio space. Piano and violin improvisations were captured alongside scored material, then carefully edited over time. This process of sifting through improvisations to find small, human moments has always been part of Ackroyd’s approach, but here she chose to leave more of the raw material intact, preserving its cathartic qualities.
Tone presents Poppy Ackroyd
Approx running times:
Poppy Ackroyd 8pm – 9.15pm
“Wonderful” – The New York Times
“Poppy Ackroyd can conjure whole worlds of sound out of the barest essentials” – Stereogum
“On par with neo-classical giants Nils Frahm, Max Richter and Hauschka” – MOJO
Acclaimed composer and pianist Poppy Ackroyd returns with ‘Liminal’, her intimate new album released June 12th via One Little Independent Records. Written and recorded during a period of profound upheaval and transition, it marks a return to the core of Ackroyd’s practice, bringing piano and violin back together.
For the first time since 2019’s ‘Feathers’, Ackroyd reunites these two instruments exclusively, with every sound on the album drawn from piano and violin alone. Melody, harmony, rhythm and texture are all extracted from the physical bodies of the instruments themselves, from bowed and plucked strings to percussive elements. Working within these limitations remains central to her creative process.
‘Liminal’ was written unusually quickly for Ackroyd, composed over a three-month period in which the core structures and musical ideas were laid out. Recording took place shortly after, once she had moved into a new studio space. Piano and violin improvisations were captured alongside scored material, then carefully edited over time. This process of sifting through improvisations to find small, human moments has always been part of Ackroyd’s approach, but here she chose to leave more of the raw material intact, preserving its cathartic qualities.
Tone presents Poppy Ackroyd
Approx running times:
Poppy Ackroyd 8pm – 9.15pm
“Wonderful” – The New York Times
“Poppy Ackroyd can conjure whole worlds of sound out of the barest essentials” – Stereogum
“On par with neo-classical giants Nils Frahm, Max Richter and Hauschka” – MOJO
Acclaimed composer and pianist Poppy Ackroyd returns with ‘Liminal’, her intimate new album released June 12th via One Little Independent Records. Written and recorded during a period of profound upheaval and transition, it marks a return to the core of Ackroyd’s practice, bringing piano and violin back together.
For the first time since 2019’s ‘Feathers’, Ackroyd reunites these two instruments exclusively, with every sound on the album drawn from piano and violin alone. Melody, harmony, rhythm and texture are all extracted from the physical bodies of the instruments themselves, from bowed and plucked strings to percussive elements. Working within these limitations remains central to her creative process.
‘Liminal’ was written unusually quickly for Ackroyd, composed over a three-month period in which the core structures and musical ideas were laid out. Recording took place shortly after, once she had moved into a new studio space. Piano and violin improvisations were captured alongside scored material, then carefully edited over time. This process of sifting through improvisations to find small, human moments has always been part of Ackroyd’s approach, but here she chose to leave more of the raw material intact, preserving its cathartic qualities.