Lily Seabird
Since 2023, Lily Seabird’s life has been in perpetual motion, spending nearly half of that time on the road performing her own music and as a touring bassist. While she thrives in transit, back home she is anchored by “Trash Mountain,” a pink house surrounded by other artists situated on a decommissioned landfill site at the back of Burlington’s Old North End. Here, Seabird has found belonging, friendship, and inspiration. It’s a place that hosts artists, puts on shows, and has been passed along in her friend group for the better part of the decade. It’s a symbol of transition and stability: something always evolving and growing but never losing its soul. It’s only fitting that Seabird named her new album Trash Mountain, as it also contains its namesake’s qualities. Over nine delicate but sturdy tracks of intimate folk rock, she pares her songwriting down to its most resonant essentials. It’s an album of unwelcome exits and uncertain futures, but there’s resiliency and hope at its core.
At the frayed bottom-edge of Indiana – just a moderate bike ride north of Louisville, Kentucky – multi-instrumentalist, artist and songwriter Ryan Davis’ Americana-noir soundwaves have been emanating for years in a myriad of forms. But not until late-2023’s rich and glowing double-disc Dancing On The Edge, the debut breakout release as Ryan Davis & the Roadhouse Band, was his creative presence so widely acknowledged by press, fellow contemporaries and fans alike, commonly deeming the record an instant classic of idiosyncratic American songwriting greatness. With the new album New Threats From The Soul slotted for July 25th via Tough Love [UK/EU] and Sophomore Lounge [USA] backed by main stage appearances at UK’s End of the Road and Moseley Folk & Arts Festival, more support shows with MJ Lenderman and a staggering 30-something date UK/EU tour this August and September, this dense sharing of Davis’ canon is set to further connect a worldwide audience at rapid pace, his lyrical craftsmanship arresting listeners with its playful sincerity and surrealistic view of a broken planet backed by a group of skilled players that are as musically woven into the cloth of the songs as the writer himself is their words.
Brown Horse make twangy and thoughtful indie rock, delicately arranged, but unafraid of building a yowling wall of guitars, accordion, banjo and pedal steel. Distorted, teary-eyed and country-tinged, this is music for long lonely drives and late, late nights in strange places.
Lily Seabird
Since 2023, Lily Seabird’s life has been in perpetual motion, spending nearly half of that time on the road performing her own music and as a touring bassist. While she thrives in transit, back home she is anchored by “Trash Mountain,” a pink house surrounded by other artists situated on a decommissioned landfill site at the back of Burlington’s Old North End. Here, Seabird has found belonging, friendship, and inspiration. It’s a place that hosts artists, puts on shows, and has been passed along in her friend group for the better part of the decade. It’s a symbol of transition and stability: something always evolving and growing but never losing its soul. It’s only fitting that Seabird named her new album Trash Mountain, as it also contains its namesake’s qualities. Over nine delicate but sturdy tracks of intimate folk rock, she pares her songwriting down to its most resonant essentials. It’s an album of unwelcome exits and uncertain futures, but there’s resiliency and hope at its core.
At the frayed bottom-edge of Indiana – just a moderate bike ride north of Louisville, Kentucky – multi-instrumentalist, artist and songwriter Ryan Davis’ Americana-noir soundwaves have been emanating for years in a myriad of forms. But not until late-2023’s rich and glowing double-disc Dancing On The Edge, the debut breakout release as Ryan Davis & the Roadhouse Band, was his creative presence so widely acknowledged by press, fellow contemporaries and fans alike, commonly deeming the record an instant classic of idiosyncratic American songwriting greatness. With the new album New Threats From The Soul slotted for July 25th via Tough Love [UK/EU] and Sophomore Lounge [USA] backed by main stage appearances at UK’s End of the Road and Moseley Folk & Arts Festival, more support shows with MJ Lenderman and a staggering 30-something date UK/EU tour this August and September, this dense sharing of Davis’ canon is set to further connect a worldwide audience at rapid pace, his lyrical craftsmanship arresting listeners with its playful sincerity and surrealistic view of a broken planet backed by a group of skilled players that are as musically woven into the cloth of the songs as the writer himself is their words.
Brown Horse make twangy and thoughtful indie rock, delicately arranged, but unafraid of building a yowling wall of guitars, accordion, banjo and pedal steel. Distorted, teary-eyed and country-tinged, this is music for long lonely drives and late, late nights in strange places.
Lily Seabird
Since 2023, Lily Seabird’s life has been in perpetual motion, spending nearly half of that time on the road performing her own music and as a touring bassist. While she thrives in transit, back home she is anchored by “Trash Mountain,” a pink house surrounded by other artists situated on a decommissioned landfill site at the back of Burlington’s Old North End. Here, Seabird has found belonging, friendship, and inspiration. It’s a place that hosts artists, puts on shows, and has been passed along in her friend group for the better part of the decade. It’s a symbol of transition and stability: something always evolving and growing but never losing its soul. It’s only fitting that Seabird named her new album Trash Mountain, as it also contains its namesake’s qualities. Over nine delicate but sturdy tracks of intimate folk rock, she pares her songwriting down to its most resonant essentials. It’s an album of unwelcome exits and uncertain futures, but there’s resiliency and hope at its core.
At the frayed bottom-edge of Indiana – just a moderate bike ride north of Louisville, Kentucky – multi-instrumentalist, artist and songwriter Ryan Davis’ Americana-noir soundwaves have been emanating for years in a myriad of forms. But not until late-2023’s rich and glowing double-disc Dancing On The Edge, the debut breakout release as Ryan Davis & the Roadhouse Band, was his creative presence so widely acknowledged by press, fellow contemporaries and fans alike, commonly deeming the record an instant classic of idiosyncratic American songwriting greatness. With the new album New Threats From The Soul slotted for July 25th via Tough Love [UK/EU] and Sophomore Lounge [USA] backed by main stage appearances at UK’s End of the Road and Moseley Folk & Arts Festival, more support shows with MJ Lenderman and a staggering 30-something date UK/EU tour this August and September, this dense sharing of Davis’ canon is set to further connect a worldwide audience at rapid pace, his lyrical craftsmanship arresting listeners with its playful sincerity and surrealistic view of a broken planet backed by a group of skilled players that are as musically woven into the cloth of the songs as the writer himself is their words.
Brown Horse make twangy and thoughtful indie rock, delicately arranged, but unafraid of building a yowling wall of guitars, accordion, banjo and pedal steel. Distorted, teary-eyed and country-tinged, this is music for long lonely drives and late, late nights in strange places.